This body of work is an ongoing investigation into identifying and analyzing African & African-American cultural similarities & differences due to the African Diaspora. Priest’s artistic practice explores perceived views versus the realities of Africa. Through an onsite immersion in African culture, similarities & differences are captured through photography.
Intrigued by traditional “craft” techniques, Priest utilizes them to express ideas, feelings and vision thereby creating “fine art” that appeals to the mind and touches the emotions . African art does not draw such a clear delineation & thus she, of African roots seems more drawn inherently to that way of viewing art, despite being a product of African-American heritage.
The process used in this body of art is called, Paper Tole. First comes photographs, then manipulation of the imagery through color changes, merging imagery, altering line, space & shape. Next duplicates of the image & use of up to 40 layers occurs, cutting each layer out by hand , stacking shaping & coloring the edges & then assembling the work. This is a fresh new approach to a very old “craft”, to create a level of depth & complexity in the work that echoes the depth & complexities of African & African-American cultural norms.